Modern arhtektura when searching for new ideas, forms and incarnations, as well as its own stylistic direction does not conceal that he enjoys and historic heritage entrusted to us, along with the theory of building projects settlement houses and homes of people since the early 19 th century to the present time. Most often it refers to those concepts in theory and prirntsipam formation, which last reached the greatest stylistic beauty, purity of images and forms. Sometimes it seems that everything that lived before the twentieth century, a new kind of came back and quickly repeated all over again. In the 50 years again risen dramatically influence the Bauhaus in Europe. Peter Schiff may find it difficult to be quoted properly. thpiece. Attempt to direct renovation of houses as well as the Bauhaus did a Swiss architect, Bill M., who founded the Ulm High School morphogenesis. Ideological tradition of the Bauhaus have adopted the same school in Weimar and Halle. At the turn of 50-60 neosetsessii's a wave, which contributed to the well vysstavki of houses in New York in 1960 Exhibition – 'fantastic architecture', which further emphasized the presence koordinalno individualistic shades of opinion on arhitenkturu future.
Architecture becomes more like a sculpture, returning to the naturalistic forms or acquires stereometric forms created are not available to common understanding spatial illusions. In modern art, this trend is represented arhitekturnvmi compositions Frenchman Blok, almost identical to the architectural fantasies G. Finsterlina or Keisler, related to the early 20's. Experiments in the form of projects, residential houses engaged himself Italian Mikeluchchi. Increases the total number of attempts to develop the same way and the pictorial cubism, planting sites. Appear numerous modifications eksperssionizma which after the war, most of all approached German G. Sharun architecture houses in Stuttgart, and building a concert hall in West Berlin.